Screenwriter Jon Spaihts (Passengers) recently provided us with an update on The Black Hole remake. He describing director Joseph Kosinski's Disney project as a 'dark epic.' A Variety interview with Jon Spaihts (Prometheus, Passengers) who is co-writer of the new Marvel movie Doctor Strange.What’s the Marvel experience been like? What was different from your previous experiences? It was a very open and collaborative process, which I loved.

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I sat down with Jon Spaihts, the writer of hit films, the Marvel movie, and his new sci-fi epic, starring Jennifer Lawrence and Chris Pratt. He told me about the struggle of getting the film made, the challenge of writing movies that are part of a larger cinematic universe and the sci-fi writers who influenced him. Innovation & Tech Today: I was curious, because I know you had written Passengers a while ago. Where did the original idea come to you from, and were you worried it wasn’t going to get made? Or did you think it was a great story that would eventually come out?

Jon Spaihts: Two things are always true. Every screenplay is in grave danger of never getting made and every screenwriter is worried about it. And truly original stories have a way of sticking around. So screenplays with good bones tend to linger and get multiple shots at getting made. So you always hold onto them and hope and keep your fingers crossed. And I was absolutely doing both with Passengers. It was a very hard movie to get made. Dm dokuro the tale of a cruel world.

Hollywood is most comfortable doing something with clear precedent. Studios are happiest if you can point to a movie almost just like this one that did very well. And there are no movies almost just like Passengers. You Dont Know Jack 4 German there. It’s a very unusual shape.

After selling Shadow 19 and gaining notoriety for Passengers, Jon Spaihts was a hot commodity and had a lot of people interested, but struggled to find work. I took meetings for. Down the road, when I'm more firmly established as a writer, I am sure that I'll exercise that liberty to write more broadly.” Remember, the best. Apr 16, 2009. Faced with the prospect of growing old and dying alone, he wakes up a second passenger who he's fallen in love with. About: Considered one of the best screenplays of 2007, this script was put on the fast track once Keanu Reeves attached himself to star. Writer: Jon Spaihts. The reason I chose to review.

So it took time and courage to get the movie made and I’m very gratified that it came through that process intact and with its integrity unbroken. I&T Today: Very cool. How did the idea of these characters waking up out of this – is it a cryogenic sleep? Or suspended animation? What was the science that you were looking into of how they’re being transported?

JS: It’s kind of an X technology. It serves a dramatic purpose because – for the purposes of story – it’s necessary that the sleepers in their pods look lifelike and approachable. That they represent a kind of company to people who have awoken too soon and have no one to be with. So we couldn’t submerge them in gel or freeze them solid and turn them blue.

Whatever technology is being used to suspend the biological activity inside the pod needed to be cosmetically appealing. So it’s underspecified in the film quite deliberately. I&T Today: OK, that makes sense. In science fiction, you always have to walk that line between the science and the fiction.

Do you do a lot of research in terms of the science when you’re writing a screenplay like this? Johanna Watts and Jon Spaihts seen at the World Premiere of Passengers (Photo by Eric Charbonneau/Invision for Sony Pictures/AP Images) JS: I am doing light science research constantly as just a part of my character and lifestyle. I’m a huge science nerd. New English File Beginner Pdf Скачать. I’m always reading the science press as deeply as my knowledge base allows me and I rub elbows with as many working scientists as I can and ask a lot of questions. So I generally have a pretty live knowledge base about a story I’m approaching. And the deep dives I’ll do research wise is to answer much narrower and more specific questions within that story like what would be a good direction to fly in to make a colonial journey from earth in a certain direction with certain characteristics. And there too again ultimately the dramatic requirements for the story are always paramount.

It’s just very important for me to serve the science as rigorously as I can along the way. And I’m always fighting to hold that line. I&T Today: Very nice. Can you give our readers who are not aware of Passengers kind of the gist of what the story is?

JS: We start the story on board the Avalon, a colony ship bringing 5,000 colonists from Earth to a new world. They will all join the growing colony on a virgin Earthlike world.

And the voyage lasts 120 years. So out of necessity the passengers make the vast majority of that trip in a state of suspended animation. And our story concerns a couple of people who through mischance are awakened far too soon. And for technical reasons are unable to go back to sleep and resume their voyage and will therefore live out their lives on this starship. I&T Today: That’s such a cool, dramatic setup for a movie.

Very existential. JS: My favorite thing about it is that it begins with a hard scientific notion. But that scientific notion immediately gives rise to huge emotional stakes and philosophical questions and a very difficult personal gauntlet our characters have to run. So the story itself is a romance and an existential drama and an adventure in very human terms once the hard science has done us the favor of creating out initiating predicament.